Tuesday, December 15, 2015

Spotlight the Film // Betrayal: The Crisis in the Catholic Church

Hopefully by now you have heard of the movie, Spotlight, after its three Golden Globe nominations and hopefully you have seen it. If not, the film is about The Boston Globe's "Spotlight" team, the oldest continuously operating newspaper investigative unit in the United States and their investigation into the sexual abuse of children by Roman Catholic priests in Massachusetts and the cover up behind it. In 2003 the team received the Pulitzer Prize for Public Service.

I've been a fan of the writer/director, Thomas McCarthy, for years and was excited to see his latest film, (especially since his last one, The Cobbler, was quite the disaster) and was not disappointed. Because the actual Spotlight team seemed very much involved with the film I wanted to look into them a bit more. Below is a break down of the real life team and who portrayed them in the film.


Who: Walter "Robby" Robinson
Portrayed by: Michael Keaton
Bio: Robinson is a Pulitzer Prize-winning investigative reporter for The Boston Globe, where he worked as reporter and editor for 34 years. Since 2007, he has been a Distinguished Professor of Journalism at the Northeastern University in Boston.
Robinson led the Globe‍'​s coverage of the Roman Catholic clergy sexual abuse scandal, for which the newspaper won, and he personally accepted, the 2003 Pulitzer Prize for Public Service. The last investigation Robinson led for the Spotlight Team, called "Debtors Hell", exposed the practices of debt collectors. That work was a finalist for the Local Reporting Pulitzer in 2007. The Pulitzer Board cited the staff's "well documented exposure, in print and online, of unscrupulous debt collectors, causing two firms to close and prompting action by state officials."[1]

Who: Michael Rezendes
Portrayed by: Mark Ruffalo
Bio: Michael Rezendes is a member of the Globe's Spotlight Team and is one of the reporters and editors who won the 2003 Pulitzer Prize for Public Service for investigating sexual abuse in the Catholic Church. The reporters also won the George Polk Award for National Reporting, the Goldsmith Prize for Investigative Reporting, the Selden Ring Award for Investigative Reporting, and numerous other honors.
As a staff writer and editor at the Globe since 1989, Rezendes has covered presidential, state and local politics, and was a weekly essayist, roving national correspondent, City Hall Bureau Chief, and the assistant editor for national news. He was also part of a team that won a first-place award from the Education Writers Association for a special section on the legacy of school desegregation.
In 2008 and 2009, he was the recipient of a John S. Knight journalism fellowship at Stanford University.[1]
Follow on Twitter: @MikeRezendes

Who: Sacha Pfeiffer
Portrayed by: Rachel McAdams
Bio: Pfeiffer is a columnist and reporter covering nonprofits, philanthropy and wealth, and was on the Spotlight investigative team that won the 2003 Pulitzer Prize for Public Service for its stories on clergy sex abuse. She has also been a senior reporter and host of All Things Considered and Radio Boston at WBUR, Boston’s NPR station, and a host of NPR’s nationally syndicated Here & Now. At WBUR she won a national Edward R. Murrow Award for broadcast reporting. Pfeiffer was a John S. Knight journalism fellow at Stanford University and co-authored Betrayal: The Crisis in the Catholic Church. [1]
Follow on Twitter: @SachaPfeiffer

Who: Matt Carroll
Portrayed by: Brian d'Arcy James
Bio: Matt Carroll has worked at the Globe since 1987 and has been a member of the Spotlight team since 1997. Before becoming a reporter, he worked as a copy editor on the Business desk for two years.
As a reporter, Carroll has covered real estate and the MetroWest area. In 1994 he started the Globe's first internal website, which is used by reporters and editors, under the tutelage of the Information Technology Department.
Carroll specializes in computer-assisted reporting and handles the paper's growing library of databases.[1]
Follow on twitter:@MattAtMIT

Who: Marty Baron
Portrayed by: Live Schreiber
Bio: Baron began working for The Miami Herald in 1976, then moved to The Los Angeles Times in 1979 and to The New York Times in 1996. He returned to the Herald as executive editor in 2000 and was at the helm of coverage of numerous key stories, including Elián González' return to Cuba and the 2000 election.
Baron's editorial helm at the Globe, where he succeeded Matthew V. Storin, shifted the paper's coverage of international events to locally centered investigative journalism. The Globe‍ '​s coverage of the Boston Catholic sexual abuse scandal earned them a Pulitzer Prize.[1]
Follow on Twitter: @PostBaron

Who: Ben Bradlee Jr.
Portrayed by: John Slattery
Bio: Ben Bradlee Jr. has spent 23 years with Globe, first as a reporter and for the past 13 years as an editor.
As a reporter, Bradlee worked on the Spotlight Team, at the State House bureau, and was the paper's national correspondent from 1982 to 1986. He has reported from Afghanistan, South Africa and elsewhere.[1]
In 1993, he was promoted to be Assistant Managing Editor responsible for investigations and projects. In that role, he edited the Globe's reporting that uncovered the Roman Catholic Archdiocese of Boston's repeated cover-ups of sexual abuse of children by priests, a painstaking investigation that began in 2001 and continued for two years.[2]
Follow on Twitter: @BenBradleeJr

Who: Mitchell Garabedian
Portrayed by: Stanley Tucci
Bio: He is the founder of Garabedian Law and since 1979 has focused on helping individuals and representing victims of sexual abuse. He has successfully argued that the First Amendment of the United States Constitution does not bar clergy sexual abuse cases. He has successfully argued that state statute of limitations have not expired in cases brought by adults who were sexually abused when they were young children. In his advocacy work, he has successfully represented individuals in Massachusetts trial and appellate courts, as well as in the United States District Court for the District of Massachusetts. He drafted legislation that added clergy to the list of mandatory reporters of child abuse. He continues to represent sexual abuse victims and support changes in legislation.[1]

Who: Eric Macleish
Portrayed by: Billy Crudup
Bio: Eric MacLeish is a 1978 cum laude graduate of Boston University Law School. He clerked for the U.S. District Court Judge Joseph L. Tauro following graduation. He was the co-founder of the Boston offices of two national law firms; Greenberg Traurig and Eckert Seamans, where he was national co-chair of the litigation department. He has been recognized as one of the top ten winning trial lawyers in the country by the National Law Journal and has received numerous awards for his work including the Champion for Justice Award from the National Crime Victims Bar Association.[1] In the early 1990s MacLeish represented hundreds of victims of sexual abuse by priests. He and other lawyers won sizable sums of money for their clients (and themselves) by settling cases with the Roman Catholic Church confidentially. The film notes he was someone who tried early to alert the Globe to a large number of priests accused of abuse in Boston.[2]

Who: Phil Saviano
Portrayed by: Neal Huff
Bio: Phil Saviano is a significant figure in the Survivors Network of those Abused by Priests. He founded the organization's New England chapter, which held its first meeting under his leadership on May 10, 1997, and he has also served as SNAP's web master. Saviano's public involvement in the abuse crisis dates to an interview he gave to the Boston Globe for a January 8, 1993 article about the Rev. David A. Holley. In subsequent years, Saviano researched Holley's career in Massachusetts, New Mexico, Texas, and Colorado, becoming in the process an expert on the Holley file and the Catholic church's transfer practices generally.[1]

Who: Joe Crowley (L)
Portrayed by: Michael Cyril Creighton (R)
Bio: [From this article]He was a 15-year-old student at Boston College High School, on a college path, when a predator wearing a Roman collar named Paul Shanley changed all that. Shanley abused Crowley, then sent him to other men.

Who: Patrick McSorley
Portrayed by: Jimmy LeBlanc
Bio: In 1986, McSorley said Geoghan visited his home to offer condolences after his father committed suicide. Geoghan took McSorley out for ice cream and sexually abused him in the car. At the time, Patrick was 12 years old. A troubled life followed the incident. McSorley spent many years in and out of drug rehabilitation centers to overcome his substance abuse problem. Last June, he nearly drowned in the Neponset River. A month later, he was arrested on drug charges.
McSorley was one of hundreds of Geoghan victims who sued the archdiocese.[1]
Sadly, Patrick passed away in 2004, you can read more about him here.

Who: Richard Sipe
Portrayed by: Richard Jenkins
Bio: A.W. Richard Sipe is a former Benedictine monk-priest of 18 years, a sociologist and author of 6 books about Catholicism American Certified Clinical Mental Health Counselor trained specifically to deal with the mental health problems of Roman Catholic Priests. He practiced psychotherapy, "taught on the faculties of Major Catholic Seminaries and colleges, lectured in medical schools, and served as a consultant and expert witness in both civil and criminal cases involving the sexual abuse of minors by Catholic priests". During his training and therapies, he conducted a 25-year ethnographic study published in 1990 about the celibate/sexual behavior of that population. In 1970 [1]
He is not seen in the film but rather speaks over the phone with Rezendes multiple times.


The Boston Globe team also wrote a book, Betrayal: The Crisis in the Catholic Church, that goes more into what the team found and learned rather than the investigation itself. I received a free trial to Audible and saw the book was available so I decided to download it. I've never really done the book on tape before and am planning on buying the actual book because there is so much information, so many names, that having the opportunity to highlight and flip back and forth would have made following along a lot easier.

Yes, it is a tough book to get through, but any time I thought, "man, I can't listen to more of this" I would remember that the survivors need their voices and stories heard.

The Spotlight team aren't psychologists, so I understand why the book didn't delve more into that aspect of priests and why this was such a common occurrence in the church. I mention this because in the movie, Sacha goes to a home of one of the priests and he admits without hesitation that he molested boys. The scene is brief and jaw dropping but nothing more is mentioned about him in the rest of the movie. That man's name is Ronald H. Paquin and he too, was raped by a priest when he was growing up. There is that cycle of abuse that sadly happens, but why did he not feel guilt when he molested someone else? He claims he never felt gratified and doesn't consider himself a pedophile because he's not a predator. Then there is Paul Shanley, a "street priest" who catered to drug addicts, runaways and others, some of whom struggled with their sexuality. He took advantage of his position as well as those who were vulnerable. There are just so many "whys" in my head that I can't fully articulate. One is, why is this such a common occurrence in the church? Until the scandal broke, it wasn't common knowledge that this was happening, I can't imagine someone thinking "I'm going to become a priest to give in to my sick thoughts." If anyone out there knows of any books or journals or articles that look into the psychology of all this, recommendations would be great.



To read more about the Boston Globe's coverage of the scandal and their archives, visit here.

Tuesday, December 8, 2015

Meet the Filmmaker: Sam Rockwell



Sam Rockwell stopped by the Apple Store in Soho last night to talk about his new movie, Don Verdean, directed by Jared Hess, who is probably most famous for Napoleon Dynamite and previously directed Rockwell in Gentlemen Broncos. A podcast of the event will be available via iTunes but I'm not much of a podcast person (someday...), and sometimes I'd rather read than watch or listen, so figure I'd recap it.



After showing the audience the trailer for Don Verdean, Sam came out for a conversation and a QandA from the audience.

  • Spilled water on himself before coming out and wished he had peed his pants because it would have made a better story.
  • To research his character he googled a few biblical archaeologists. He categorizes those he found as some are genuine, some are con artists and some are just crazy. His character Don is a little bit of all of those. He also watched The Apostle a few times for inspiration. 
  • It was hardest to keep a straight face while doing scenes with Jermaine Clement.
  • In the film he wears a wig but it is his hair. When he worked with Jared Hess on Gentlemen Broncos he wore a fake beard and it was too much work (he got food in it, someone was always messing with it, and gnats were always attacking him) so he told him he would grow it out on his own. 
  • Currently on Broadway (one week remaining) in Fool For Love. Considers the stage "a gymnasium" for actors and film is more a director's medium. 
  • Did an episode of Drunk History and loved the experience. They put the narration on a loud speaker on a loop so the actors could try to memorize it as much as they can and lip sync. If he did it again he would try to memorize it a little better. 
  • There are five or so roles that he is very partial to including Moon, Confessions of Dangerous Mind, Conviction, Safe Men, Snow Angels, Choke, and Seven Psychopaths.
  • Projects coming up: Three Billboards and Adventures of Drunkie, an animated show for Comedy Central.
  • While filming Moon, both he and the director were in long distance relationships so they drew from that (being far from loved ones). He was attending a film festival in Greece (not the "nice part") when he read the script and because he didn't know anyone and was there for a while he related to the isolation in the script.
QandA:
  • An audience member commented on how he's usually the over the top funny character in films while in here he is more the straight man and wanted to know how he reeled that in. Because he more sets up the jokes for the other characters it was easier for him to be the straight man and approached the character in a dramatic fashion. 
  • Advice for actors: Study, (he studied Meisner), get involved with theatre companies (he worked with the Labyrinth) and do as many readings as you can.
  • Started dancing as a way to meet girls in middle school.
  • Would love to play a role like Confessions of a Dangerous Mind again.
  • Though he could see himself writing, he has no plans to go behind the scenes, too much multi-tasking as a director. He loves talking with actors and would love to direct them, but isn't interested in the other things a director does.
  • If he could have anyone play him in a bio pic he'd choose Pauly Shore (he was joking), possibly Ben Schwartz because he'd make Sam laugh his "tits off" or somebody like that - Jack Black. It would be funny to just really send it up. 
To end this post, here's an amazing fan video of Sam's dance moves that are guaranteed to put you in a good mood:








Wednesday, November 25, 2015

Alternative Thanksgiving Ideas Inspired By Movies

Thanksgiving is tomorrow and maybe you haven't thought of what to bring (if you need to) or you're just bored with the typical Thanksgiving offerings. Have no fear, here are some ideas from movies (and one TV show) to help you out!
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Home for the Holidays // Key Lime Pie with M & Ms
I'm going to start out with my cheat. I do like key lime pie but don't know many others who do, so I didn't want make a whole pie nor could I find a single slice (or whole frozen pie) of pie for a photo op. I settled with a key lime mousse at the local Fairway.

Now of course when I flew into Wisconsin for the holidays I saw plenty of pie options (and so many flavored creamers! I usually do half and half in my coffee but sometimes it's fun to try them but the grocery stores in NYC are just that, grocery stores. Wisconsin has SUPERMARKETS. Remember that scene towards the end of The Hurt Locker where his wife tells him to grab cereal and he goes and there's a whole aisle with tons of options? That was me, but with creamer. And we obviously felt overwhelmed for different reasons. But I did feel all "OMG CONSUMERISM!") Okay, back to the task at hand.

In one of my favorite movies, let alone one of my favorite holiday movies, Home for the Holidays, Aunt Glady, who has been in love with her sister's husband for years, brings his favorite pie for Thanksgiving: Key Lime Pie with M & Ms. Who knows, maybe a relative of yours will love it!
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Son In Law // Hungry Man
This is for those who don't want to cook for a whole family but still wants them to have a traditional Thanksgiving meal. Or you're celebrating alone. But that's a sad meal to eat alone. Grab a box of Stove Top and some cranberry sauce that comes in the shape of the can and call it a day.

Crawl (or crotch, if you're Lane Smith), doesn't have plans for Thanksgiving and plans to stay in the dorms with the Pilgrim Platter by Hungry Man. Sadly, the Pilgrim Platter doesn't exist, but they do have a turkey dinner with stuffing, vegetables and a cranberry cobbler.



Friends // Chandler's Thanksgiving Dinner
Chandler's parents told him they were divorcing over Thanksgiving dinner when he was nine years old.  Because of that announcement he saw his Thanksgiving dinner in reverse (he vom-ed), so he has sworn off the holiday, including it's traditional dinner. Instead he chooses to eat tomato soup, Funyuns, and grilled cheese. It's delicious and a great alternative, I see nothing wrong with it (sans Funyuns, those are nasty).

The Ice Storm // Key Party
Taking place over the Thanksgiving weekend in 1973, the two lead couples attend a key party. This is for when you need spice things up or want to freak out your friends. I brought the fish bowl to a "friends giving" and asked everyone to put in their keys without telling them why and they were all eager to put their keys in. Makes me wonder about them...

Wednesday, November 11, 2015

SeaGlass Carousel at The Battery

A few weeks ago a friend asked how I find out about a lot of things in the city and it's a variety of things. I'll see a tweet or an ad, maybe even a comment on an article, then jot it down and hope I remember to look into it later on. 


The SeaGlass Carousel at The Battery is one of those things. I'm not sure where I first heard about it but after I googled for a bit I knew I had to visit. A friend was visiting from out of town and we were planning on being in the Battery Park area in downtown New York already, so I made sure to tell her that we definitely had to find the SeaGlass Carousel. 



Here's a brief rundown:

Location: Entrance at State St and Water St, New York City
                212-344-3491
Cost: $5.00

Opened in August of 2015, the carousel was created by Warrie Price, founding president of the Battery Park Conservancy and is the work of New York architectural firm WXY and artist George Tsypin. 

What ties it all together is the music, created by Teddy Zambetti. He took classical themes by various composers and gave them a contemporary flair. Originally, Warrie Price told Zambetti she wanted 73 individual songs, one for each ride of the day. They seemed to compromise with six pieces, four which play during the ride and one for when you get on the ride and another for when you get off. The finished songs incorporate:  “Aquarium” by Camille Saint-Saëns; Symphony No. 40 in G minor by Mozart; “Daphnis et Chloé,” Suite No. 2, by Maurice Ravel; “Dance of the Knights” from “Romeo and Juliet” by Sergei Prokofiev; and “La Mer” by Claude Debussy.

The seats are not your typical carousel seats. Instead of sitting on top of the fish, you sit inside them and because each fish is facing and spinning in their own direction, it feels like you're "swimming" among them rather than just going in a circle like your standard carousel. 


[Even the tickets are pretty]


A video posted by @stellarball on
[A short instagram video of my ride]

Pictures and video don't do it justice. The music mixed with the lights and everything is just so beautiful. I understand why the rides are only 3.5 minutes, but I do wish they were longer. I'll just add to my list of "things to do if I win the lottery" - rent the SeaGlass Carousel for a day.


[A teaser video of the carousel by the Battery Conservancy]



Thursday, November 5, 2015

Cocktail Hour // Dead Poets Society + Old Fashioned

Fall doesn't really feel official until I buy my annual bottle of Woodford Reserve. I'm not sure how it started or how I was even introduced to Woodford. When I first started going out to the bars I was a Maker's Mark sour gal until I realized I was poor as fuck and should just stick to Miller Lite's.

There are also certain movies that just make sense to watch in the fall. Kind of like Christmas movies but not as obvious. One of my fall movies is Dead Poets Society. It makes sense why it's a "fall film" - it starts at the beginning of the school year, the New England foliage is shown through much of the film - for me, at least.

What better way to celebrate fall (thought it's been in the 70s lately...) than combining the two?

Though Dead Poets Society does take place in New England I had to make an Old Fashioned the Wisconsin way.  I used this recipe from the Old Fashioned Tavern and Restaurant, but obviously I used Woodford instead of Korbel and between two grocery stores and two liquor stores I couldn't find Angostura bitter so I settled for orange bitters. I love New York but that is one of the many things I miss in Wisconsin: you can buy liquor, beer, wine, mixers, groceries and hygienic products all in one place. Sometimes even banking.

pre- and post-muddle



This is me trying to be all artsy blogger. How did those pistachios just fall out of the cup?  It's artistic! All kidding aside, I kind of like this picture, I may play around with unrealistic expectations set ups more often.

Now fix yourself an Old Fashioned (the Wisconsin way) and watch Dead Poets Society while the fall air breezes through your window!


Oh, Knox Overstreet, you're so dreamy.